Wednesday, May 11, 2011

Langston Hughes "Dreams" 1902-1967 United States

Dreams
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow

Tsunami Hiroshisu "I dream..." July 2010 Japan

I dream...
I dream of floating away on a cloud
I dream of catching a falling star
I dream of my prince charming
I dream of how I’ll save him from the dragon
I dream of cows on the moon
And pink grass

I dream of old ladies knitting socks
I dream the twelve Olympians are real
I dream I’ll meet them someday
I dream of vast sugar cane fields

I dream of a bed of roses
And how prickly that must be

I dream of firefly friends
I dream of a lighting bug show
I dream of riding a striped horse down the aisle
I dream of hot air balloons
I dream of polar bears
And penguins

I dream of snow
I dream of rain
I dream of summer
I dream of fall
I dream of day
And night

I dream of the moon
I dream of stars
I dream of going to Mars
I dream of how I’ll be queen of the Martians
I dream of how I’ll love my subjects
And people always said I belonged on another planet

I dream of love
I dream of faith
I dream of hope
I dream of culture
I dream of life
And I dream sweet dreams.

Wednesday, May 4, 2011

Dreaming of Romance



I had a dream my darling, it was twilight at the beach
You wore a scarlet evening gown, and nothing on your feet

How romantic, how divine, how softly we’ll sway
And sink our toes in the sand until they wash away


Maria and the butler held umbrellas to the sky
I could smell the wind and stormy sea and the rain began to fly

I can almost feel the mist right now, a warm and phantom shroud
I long to taste the salty air, that surrounds me like a cloud


We dance a dance of passion, in time with the crashing waves
And by our harmony and love we will always be enslaved

This dream of yours, this dream of ours, must be more than just a dream
Dreams and hopes and wishes are more connected than they seem


Then at once you must, my love, dress yourself in your finest red
And through the land of soft and fine sand is where we both shall tread

Wednesday, April 27, 2011

Short Story

            Loud music kids drinking yelling laughing playing harmful games slipping into red plastic cups full of stale brown bubbles grinning dancing blood rushing pulsing need to leave world is spinning colors flashing lights eyes bleeding colored tears home get home slide into the seat cool smooth skin against sticky hot sweating skin vision blurring people walking slowly much too slowly why can’t they just run turning the key engine awakens blood rushing through ears loud music fades kids drinking yelling laughing take me home safely gripping wheels rolling turning spinning wind grabbing wrenching control from hands too sweaty to hold on to reality faster and faster insides churning panic building wake up now

            I’m staring down the winding road in front of me; just watching the tumbleweeds whirl across it. What am I doing here? I try and remember what happened, but my brain is filled with static noise. I should probably start to walk, since its no use standing here frozen like a statue. How did I end up in this strange place with nothing surrounding me for what seemed like thousands of miles? I’m suddenly so hot and uncomfortable. I shift around the seat of the car, but the backs of my thighs stick to the cool leather. The seat cool smooth skin against sticky hot sweating skin. I look down to unbuckle my seatbelt and get out, only to find I’m not wearing one. I’m not even in a car. How did I get here? I lean over to stroke tumbleweed that is rolling by but suddenly stop, and decide to start walking instead. My feet hit the pavement hard, and after a while start to realize I can‘t feel them. It’s almost like walking on air or water instead of hard, dead rock. Actually, now that I’m thinking about it, I can’t really feel anything. I only feel a needle, a sharp pain in the middle of my right palm. I strain my eyes, it’s so bright outside, but I don’t see anything. I look for a splinter, a tiny sliver of glass maybe from the shattered windshield, buried deep in my skin. I find nothing, not even the skin around my palm is red or irritated. I focus on the golden lines down the middle of the highway, and try not to let my gaze wander to the passing tumbleweeds in fear that I’ll stray from my course. My arms hang loosely at my sides and my right hand is burning, but I try to ignore the pain.  I know what I have to do, even if I have no clue where I’m going. I’m not sure what it is, but something far down this route calls to me, and I have no choice but to answer.

            Screeching careening out of control slow motion stop photography floods my brain bright silver keys dangle above feelings lighten arms floating freely peaceful calmness overcomes violent commotion cotton veil masks destruction and suffering quiet soft music plays piano keys twinkle like stars in the sky breathing slows and stops feeling heavy uncomfortable music getting louder filling eardrums louder and louder with piano keys becoming too loud stabbing brain until piano keys become needles piercing cotton veil is ripped off peaceful calmness become destruction and suffering once more screaming screeching heart beating again faster and faster loud like needles from the piano eyes refuse to snap open wake up

            I’ve been walking for decades now, but I’m not as tired as I should be. The pain in my right palm has spread to the other palm and become a steady throbbing drum. I set my pace to match it, a little tune to keep me going. I hope this pain goes away, if it doesn’t how will I ever play again? I smile warmly and remember how my mother forced me to go to piano lessons as a child. I really never minded, although I still loved to give my mother hell about going. I always knew I had a gift for the keys, like I was born playing the piano. Quiet soft music plays piano keys twinkle like stars. Yes, keep thinking about the piano, it really brings joy to my heart. However, I can’t help but remember that I am walking alone on a road that seemingly leads to nowhere. Who created the piano anyway? Did some guy just slap some ivory and strings together and voila! A musical instrument is born? I am ready to cut off my own hands because the pain has become hard to ignore. I would never do such a thing thought. However all this thought of the piano is starting to make my finger twitch and ache. I must keep walking, I’ll find her somewhere.            

Breathing hard and fast talking softly inhaling gasping what just happened car road dizzy loud crash sirens breathing breathing silence screaming horns yelling pain ripping through my body singing screaming falling crashing break into a million pieces ice cold glass sharp as teeth razors blood hungry run frightening scared nighttime daytime men in blue and men in suits screaming horns yelling blaming judging so confusing so dizzy spinning turning churning  twitching running get away world is gray so loud blue and reds light flash at parties eyesight failing wake up save her

Since I have nothing to do except walk, I organize my mind into a desk. Not a desk like in school, but a beautiful writing desk with a thousand little drawers, nooks, and crannies perfect for secrets and trinkets. On the desk sits a vase of flowers, deep blood red roses. I love them; they add color and mystery with a taste of romance to organized life. As I shuffle around secrets, scraps of knowledge that float loosely in the air, I hear a crash. It is the loudest thing I’ve ever heard. The vase was pushed off the surface of the desk and shattered. Falling crashing break into a million pieces. I am heartbroken; my splash of color has left me, and my desk, forever. I kneel down to pick up the pieces and notice crimson water pooling around the glass. The petals, which are now sliced and scattered, must be losing their color to the water around them. I reach down to sort through the mess in an effort to free the flower petals and notice something peculiar. My hands have been removed from my arms. I must have been shifting around in the glass too much because of the shaggy angle they were cut at and the loose pieces of skin that hung off my wrists like curtains. How odd, I think to myself as I inspect my bloody stumps. I awkwardly transport my hands to a safe drawer in the desk; I will have to deal with them later. I decide to continue to walk, with my newly shortened arms swinging by my side.

            Murderer killer she did not have to die so young why fresh daisies broken crumpled dead ruined never forgive never forget over rolling stopping screeching time racing running faster faster heart beats for the last time breaking stopping dead forever eternity irreversible accident how why help

            I find it. I find her, I find them together. She looks beautiful with her long red hair splayed out behind her head. She lies at an odd angle on the pavement, with her back arched strangely and her neck bent backwards. I wonder why she is asleep here, now in this strange place. I kneel down beside her and say “hi”. I talk to her for a little, explaining to her why I have two stubs for wrists and am missing two hands. I flail my arms about to show her, but she didn’t seem interested. I look over at her, just to see what she’s staring so intently, and see that her face is pale. I get closer to her and start to cry a little. I know she’s dead, I’ve known this whole time. Murderer. I know why the desert road led me to her; I know why the glass took both of my hands. She calls to me from the dead, and I had to answer. I stop weeping and curl up next to her. I close my eyes and drift to sleep, finally able to escape all this madness.

*  *  *
           
I wake up sobbing in my hospital bed. I reach up to my face to dry my eyes, but realize I’ve got bandages wrapping up my hands like boxing gloves. That dream I had was still fresh in my mind, still photographs dancing around my already clogged brain. The accident had really screwed me up, I guess, since I was dreaming about pianos, desks, and cutting off my own hands. She was also there; I remember seeing her face and her long red locks. My eyes don’t tear anymore when I think of her, the girl I hit and killed with my car. I cried for a couple days, but I’ve been here for such a long time I don’t even remember that night anymore. I close my eyes and try to remember what happened after I left the party. I was completely drunk, so the details are a little fuzzy. I remember listening to my Beethoven tape, its always playing in my car. I drove for a little and suddenly its like time became slow motion; she ran out in front of my car and the loudest, most sickening sounds I’ve ever heard filled my ears. I hit her, and she died on the spot. I had my hands out, and they went through the glass windshield, cutting them up pretty badly. I was going to fast that the force just threw me out of my seat, guess that what happens when I don’t wear my seatbelt. The gashes and concussion keep me in the hospital, but I figure she’s better off than me. She doesn’t have to live her life as a murderer, like I do.

Friday, April 15, 2011

Ribbons

Sweet Dreams in the Witch House is a dynamic and flowing painting containing many "ribbons". The most predominant to my eye is the line that starts as the book corner, runs down through the woman's arm, up past her shoulder and flows perfectly into the drawing etched in the wall behind her. The circlular arches of the couch she is laying on are also echoed by the drawing on the wall. Of the three main linear parts of the drawing behind her, the middle line points down directly to the pile of books in front of the woman leaving the viewer to interprete the importance of the books. The arch of her body is echoed by the couch behind her, giving it a feminine and softer feeling. The elements flow into each other like an unspoken language for the viewer to see and understand.

Thursday, March 10, 2011

Painting and Sculpture

 Dance of Dreams by Josephine Wall 2008
Handmade Navajo Dream Catcher created by Parmeia George

Monday, March 7, 2011

Critique #1

Images that we see and store in our brains can come back to life when we drift to sleep. Especially horrific or traumatic ideas return as nightmares. A dangerous or treacherous environment such as war not only affects our well-being, but our subconscious as well. A good representation of this is in the 1980’s television show MASH, in an episode called “Dreams”. During this episode, an army nurse dreams about her wedding day and the horror of wounded soldiers from the war. In this photograph from the show she is depicted standing next to a surgeon in her wedding gown standing over a bed of bleeding soldiers. In this still shot from MASH directed by Larry Gelbart, photographer Gerald B. Wolfe captures this candid moment in order to convey the idea that certain environments can affect a person’s subconscious and dreams.
                This image taken from the MASH episode “Dreams” depicts an army nurse (Margaret Houlihan) standing next to a surgeon (Hawkeye Pierce) over a bed of bleeding soldiers, all in front of the Korean countryside. The subject matter of this still shot is Margaret wearing her pristine white wedding dress, her blonde hair curled around a flowing veil. Her upright hands and shocked facial expression convey her feelings of distress as she looks the surgeon in the eyes. He wears a duller, grayed white doctor’s gown and cap splattered with bright red blood. His gloved hands are blood-soaked and gesturing towards two dying soldiers lying on a grand bed with tall golden rods. Wearing bandages that are so bloody that they have turned from white to completely crimson, one of their faces has an expression of utter hopelessness. The image as a whole is almost overwhelming, but expresses the fear and anxiety the character Margaret must feel during her nightmare. The environment in her dream matches the one she must live and work in every day, so the horror she witnesses in her life seeps into her subconscious as she sleeps.
                The powerful symbols illustrated in this still shot help the viewer visualize the unbearable images the nurse sees during the war, and how they creep back into her mind as she sleeps. The first symbol that draws the attention of the viewer is Margaret’s wedding gown. It represents her very real desire to be married, and the comforting thought of normality among the chaos she lives through. Her gown is her hope and small light of joy she uses to get through the hardships of war. Those hardships too are depicted in the image. The bleeding soldiers symbolize the war and the youth of the soldiers and their innocence being ripped from them. It represents the pain and sadness that people try to romanticize out of war, but in the end can not be forgotten. They are a reminder to Margaret that no matter what she desires or hopes for, there is always suffering around her. The surgeon to her right, splashed with the scarlet blood of the soldiers below, also symbolizes the interruption the war has caused in her life, how she will never be whole because of her surroundings. Their body language as well conveys the frustration and helplessness she feels as she is trapped in the war. The juxtaposition of her wedding dress and the blood from the soldiers put into perspective how two very different ideas mould together in her subconscious to create a picture of how out of control her life is. All of the images Margaret’s mind absorbs blend together in this nightmare and allow the viewer to see into her life.
                The connection between our minds and our surroundings can affect out subconscious and dreams. Whether it is a calm environment or the terrifying environment depicted in the still shot, where we are can determine what we dream about. When our minds are free from distractions, they are able to remember and create images that have a deeper meaning. The composition and symbolism in the still shot allow the viewer to connect with Margaret and fully understand how different environments can affect our dreams.